I will now take a cue from the lovely
meropa. As she sometimes uses her LJ to demonstrate her love (or lack thereof) of certain music and/or music videos, I will now say that last night I saw what probably will become one of my favorite movies of all time.

To be honest, I left the theater out of breath and on the verge of tears. Not necessarily because of the film's subject matter, but because I have been so angry at Hollywood lately for producing so much vile crap, that this restored my faith in the medium. Unfortunately, I will not recommend this movie to most of my friends because I know they will mostly find it dull and boring, which is fine. The film is not intended for a wide audience. And my tastes in the cinema are so bizarre anyway that nobody would probably trust me if I told them "RUN RIGHT OUT AND SEE THIS!"
Strange I know, because I am a horror-movie junkie as well, and I know that horror movies these days get such a bad rap because everyone thinks they are all the same. I said I was weird when it comes to the movies, as everybody already knows.
But back to
Blood. There is a reason why Daniel Day-Lewis "comes out of hiding" every 5 or 6 years to do a film (his last major performance was 2002's
Gangs Of New York), it's because he wants to find a major challenge with a good script. His Daniel Plainview in
Blood has to be one of the most fascinating characters I've ever seen onscreen. His presence is amazing, and it often reminded of the late John Huston's performance in Roman Polanski's
Chinatown.
Many critics and audiences have over-analyzed the film trying to find a deep hidden meaning when to me, the story is very simplistic. It's an amazing battle between good and evil. The first 15 minutes of the movie have no dialogue at all, instead it begins underground, as we see Daniel Plainview mining, and rising up from the allegorical depths of Hell in order to conquer the being which is Man. At one point, he even says...
"I can't keep doing this on my own. With these, um........PEOPLE.". It's a strong point to make, and a key point in the film. He is at war with a young minister played by Paul Dano (
Little Miss Sunshine) and the two of them engage in what can only be described as a masterful battle between the Heavenly and the Hellish.
Director Paul Thomas Anderson keeps things going at a slow pace, but in the end achieves something that can be compared to the best of Kubrick and Altman.*
I will not end this by saying, "Go see this movie." I cannot. It's just not a movie I can recommend to people. I can only say that I was amazed, flabbergasted, stunned, scared, and in the end, so appreciative. In the words of Daniel Plainview,
"I'm finished."The trailer:
*Anderson dedicates the film to the great Robert Altman, who died in 2005. A fitting tribute to a maverick director of the medium.